It’s mostly about keeping the bar fun and engaging for everyone. That’s always been the baseline for me. Diversity in track genre is paramount, but you still want those lyrical hooks people can actually latch onto, the moments where heads lift, someone mouths a line, or the floor tightens in just a little. That’s what
A few things are back in motion lately. With a bit more time on my hands, I’ve been digging back into music production. Some compelling YouTube rabbit holes have actually sparked the energy to get things operational again. Right now I’m working on both an edit and an original. It’s early stages, but the horizon
Finding new tracks can feel endless. One mix leads to another, one rabbit hole opens five more, and suddenly it’s 2am and you’re knee-deep in tabs that all sound promising – it’s not necessarily a bad outcome these are likely all gems but we have to test them in mixes and see how they can
This is where it begins – the first post, the first marker. From here on, I’ll be sharing the bits you don’t usually see: the chaos, the quiet moments, and everything in between. Think of it as a behind-the-booth journal, covering the dancefloor highs, the questionable punter behaviour, tracks I can’t wait to play out
